Showing posts with label Vintage Stationery. Show all posts
Showing posts with label Vintage Stationery. Show all posts

Sunday, May 3, 2026

Wish You Were Here: A Sun-Drenched Escape to Miesbach, Upper Bavaria

 There is a specific kind of magic found in the tactile nature of an old postcard. Holding a piece of mail that travelled across borders decades ago connects us to a specific moment in time—a snapshot of a world before instant messaging, where the "wish you were here" sentiment was penned with ink and patience. Today, we’re diving into a beautiful multi-view postcard from my personal collection, sent from the heart of Upper Bavaria (Oberbayern) to a bustling kitchen in Somerset, England.

This isn’t just a piece of cardstock; it’s a portal to the Alpine foothills, a testament to mid-century travel, and a cheeky nod to the universal desire to swap a hot stove for a cold beer.


The Visual Journey: Miesbach in Technicolor

The front of the postcard is a classic "Gruss aus" (Greetings from) style montage, featuring eight distinct views of Miesbach and its stunning surroundings. The colour saturation suggests a mid-20th-century printing process, likely a colorized photograph or early offset lithography, giving the Bavarian landscape that iconic, dreamlike vibrance.

A colour multi-view postcard titled "MIESBACH Oberbayern" featuring seven distinct photographs of the town and surrounding district.  Top row: A panoramic view of the town nestled in the mountains; the Michelsbrunnen (Michael’s Fountain) in front of a blue building; and the Marktplatz filled with classic cars like Volkswagen Beetles.  Middle row: The Stadtpfarrkirche (town parish church) and the Knabenschule (boys' school).  Bottom row: Scenic views of Schliersee and Tegernsee lakes, along with the local Post and Railway Station. Two coats of arms are prominently displayed in the center: the Bavarian lozenges and the specific crest for Miesbach.

1. The Heart of the Town: Miesbach & Marktplatz

The top-left and top-right panels introduce us to the town itself. Miesbach is the seat of its namesake district and sits nestled in the Mangfall Mountains. The Marktplatz (Market Square) view is particularly fascinating for history buffs—just look at those vintage cars! We can spot the rounded curves of several Volkswagen Beetles and early European sedans, which help us narrow down the era.

2. Spiritual Landmarks: Stadtpfarrkirche & Am Michelsbrunnen

The Stadtpfarrkirche (Town Parish Church), dedicated to St. Mary, stands tall with its distinctive onion dome—a staple of Bavarian architecture. In the centre, we see the Michelsbrunnen, a fountain featuring Saint Michael, located in the town square. This fountain has long been a meeting point for locals and travellers alike.

3. Alpine Escapes: Schliersee & Tegernsee

Miesbach serves as the gateway to some of Germany’s most famous lakes. The bottom panels show Schliersee and Tegernsee. These glacial lakes, framed by the towering Alps, have been premier "Sommerfrische" (summer retreat) destinations for centuries. Even in this small format, the crystal-blue water and the sharp peaks of the mountains invite the viewer to breathe in the crisp mountain air.

4. Daily Life: Post, Bahnhof, and Knabenschule

The card also highlights the town’s infrastructure, showing the Post and Bahnhof (Post Office and Railway Station) and the Knabenschule (Boys' School). These inclusions tell us that Miesbach took pride in its modernization and civic buildings during this period.


Decoding the Message: "No Hot Kitchens!"

The back of a used postcard addressed to "Kitchen Staff, MANOR HOTEL, YEOVIL, SOMERSET, ENGLAND." * The Message: Written in black ink, it reads: "Dear Chef, Paul & Alec, life in the beer-halls is fun!! The sun shines—90°F!!!—life is quite pleasant—no hot kitchens!!! Sarah." * Postage: A red 60-pfennig "Deutsche Bundespost" stamp featuring a piece of industrial machinery is in the top right, postmarked from Miesbach in 1971.  Details: Vertical text in the center identifies the publisher as Verlag Schöning & Co. from Lübeck.

While the front of the card is a beautiful travelogue, the back provides the human story. The message is addressed to the "Kitchen Staff" at the Manor Hotel in Yeovil, Somerset, England.

The text reads:

"Dear Chef, Paul & Alec, life in the beer-halls is fun!! The sun shines—90°F!!!—life is quite pleasant—no hot kitchens!!! Sarah."

Sarah’s message is relatable to anyone who has ever worked a high-pressure job. It seems she was a member of the Manor Hotel’s culinary team taking a well-deserved break. Her playful dig at the "hot kitchens" while she enjoys the 90-degree Bavarian heat (a rare scorcher for the region!) highlights the freedom of the traveller. The mention of "beer-halls" confirms she was soaking up the authentic Bavarian experience—likely enjoying a Helles or a Weissbier in one of Miesbach’s traditional taverns.


The Detective Work: Dating the Postcard

As a collector, one of the most exciting tasks is pinpointing exactly when a card was sent. We have several clues on the reverse side:

  • The Stamp: The card features a red 60 Pfennig "Deutsche Bundespost" stamp. This stamp is part of the Industrie und Technik (Industry and Technology) definitive series. Specifically, it depicts a Röntgengerät (X-ray machine). This series was first issued in the mid-1970s (1975 onwards).

  • The Postmark: If we look closely at the circular cancellation stamp from Miesbach, we can see the date 25. 8. 81. This places Sarah’s vacation squarely in the late summer of 1981.

  • The Temperature: Sarah mentions it is 90°F. In August 1981, Europe experienced several heatwaves. While 90°F (approx. 32°C) is high for the Alps, it perfectly aligns with a peak summer "hitze" (heatwave) that would make a cool beer hall much more appealing than a professional kitchen in Yeovil.

  • The Destination: The Manor Hotel in Yeovil is a historic building that still stands today. Knowing that Sarah sent this to "Chef, Paul, and Alec" adds a wonderful layer of local Somerset history to this German souvenir.


Bavaria in the 80s: A Cultural Snapshot

In 1981, Miesbach would have been a town caught between tradition and the burgeoning tourism of the late 20th century. The "beer-halls" Sarah mentioned were (and are) the social centers of the community. In Upper Bavaria, these aren't just places to drink; they are places where Gemütlichkeit—that untranslatable German word for cosiness, cheer, and social belonging—is practiced daily.

The postcards of this era often used "Lübeck" printing houses (as seen on the vertical text: Verlag Schöning & Co + Gebrüder Schmidt - Lübeck). This company was one of the giants of the German postcard industry, responsible for documenting thousands of towns across the Federal Republic.


Why Postcards Still Matter

In a world of Instagram stories that disappear in 24 hours, this postcard has survived for over 40 years. It tells us about:

  1. Postal History: The cost of sending a card from Germany to England in 1981 (60 Pfennig).

  2. Social Connections: The camaraderie of kitchen workers.

  3. Geography: The enduring beauty of the Tegernsee and Schliersee regions.

Sarah probably didn't think her quick note to the Chef would be analysed decades later, but that is the beauty of the written word. It preserves a moment of joy—a sun-drenched day in Miesbach where the only worry was how cold the next beer would be.


Final Thoughts

Whether you are a deltiologist (a postcard collector), a lover of Bavarian culture, or someone who appreciates a good "out of office" message, this Miesbach card is a gem. It reminds us that no matter where we are in the world, the need to step away from the "hot kitchen" of life and find a sunny spot with good friends is universal.

Tuesday, February 24, 2026

A Deep Dive into the 1980 British Rugby Union PHQ Card

 Collecting postcards is often like holding a miniature time capsule. Sometimes, the beauty lies in the handwritten message on the back; other times, it’s about the art, the history, and the intersection of different hobbies. Today, we’re looking at a standout piece from my personal collection: a Post Office Picture Card (PHQ) from 1980, celebrating the raw, muddy, and glorious world of Rugby Union.

A postcard featuring a reproduction of a British postage stamp. The artwork, set against a dark blue background, depicts two rugby players in action: one in a red jersey and white shorts running with the ball, and another in a light blue jersey following closely behind. In the top left corner, the value "13½p" is printed in white. In the top right, there is a gold-colored silhouette of Queen Elizabeth II. The entire image is framed by a white perforated stamp border on a light beige background.


Dating the Card: A Philatelic Milestone

One of the best things about PHQ cards (the technical term for postcards issued by the British Post Office that reproduce the designs of commemorative stamps) is that they are incredibly easy to date. Unlike vintage scenic postcards that require a detective's eye for fashion or car models, this card tells us exactly when it was born.

The back of a white postcard with black text. A vertical line in the center reads "© A Post Office Picture Card Series PHQ 47 (b) 10/80." In the bottom left corner, the text describes the card: "Sport (Rugby Union). Reproduced from a stamp designed by Robert Goldsmith and issued by the Post Office on the 10 October 1980. price 8½p." Below this, it notes, "Printed at The House of Questa, London, England."


According to the reverse of the card:

  • Issue Date: 10 October 1980.

  • Series: PHQ 47 (b).

  • Event: This card was part of a "Sport" set issued to celebrate various British athletic pursuits.

  • Artist: The dynamic, painterly design is credited to Robert Goldsmith.

By the late 1970s and early 1980s, the Royal Mail had perfected the "stamp on a card" format. This specific card was printed by The House of Questa, a famous security printer in London known for high-quality lithography. If you look closely at the "stamp" on the front, you’ll see the 13 1/2p denomination—a nostalgic reminder of what it cost to send a letter during the era of Mrs Thatcher!


The Art of the Tackle: Robert Goldsmith’s Vision

The front of the card is a masterclass in capturing motion. In the 1980s, stamp design was moving away from static, formal portraits and toward more impressionistic, energetic styles.

Visual Analysis

The image depicts a high-stakes moment in a Rugby Union match. We see two players locked in the heat of the game:

  1. The Ball Carrier: Dressed in a vibrant red kit (reminiscent of the Welsh national side or perhaps the British & Irish Lions), he is clutching the oval ball tightly. Goldsmith uses blurred, aggressive brushstrokes on the player's right side to simulate the speed of a sprint or the impact of a collision.

  2. The Defender: Looming in a blue jersey, the second player is captured in a moment of intense focus, ready to execute a tackle.

  3. The Silhouette: In the top right corner, we see the gold silhouette of Queen Elizabeth II. This is a standard requirement for British stamps, but here it provides a calm, regal contrast to the chaotic, visceral energy of the sport below.

The colour palette—deep blues, striking reds, and earthy browns—perfectly evokes the atmosphere of a cold, damp autumn afternoon at Twickenham or Cardiff Arms Park.


Why 1980 Was a Pivotal Year for Rugby Union

To truly appreciate this postcard, we have to look at what was happening in the rugby world when it was released in October 1980. This was the era of Amateurism. Players weren't the hyper-conditioned professional athletes of today; they were teachers, miners, and office workers who played for the love of the game.

The 1980 Five Nations

Just months before this stamp was issued, England had achieved something legendary. Under the captaincy of Bill Beaumont, England won the 1980 Five Nations Championship, securing their first Grand Slam since 1957. The excitement surrounding rugby in Britain was at a fever pitch, making the Post Office’s decision to release a rugby-themed stamp set particularly timely.

The Style of Play

The 1980s was a decade of transition for the sport. It was becoming more tactical, but it remained a game of immense physical grit. When you look at the faces of the players on this postcard, Robert Goldsmith has captured that grit—the furrowed brows, the sweat, and the sheer determination.


Collecting PHQ Cards: A Niche Worth Exploring

For those new to the hobby, PHQ cards are a fantastic entry point into both deltiology (postcard collecting) and philately (stamp collecting).

Why Collect Them?

  • Affordability: Most PHQ cards from the 80s can still be found for a few pounds, though "First Day of Issue" cancelled versions can be worth more.

  • Quality: Because they were printed by security printers like The House of Questa, the colour reproduction is often superior to standard commercial postcards.

  • Themed Collections: Whether you love sport, British royalty, birds, or architecture, there is a PHQ set for you.

Identification Tips

If you find a card like this at a car boot sale or on eBay, always check the back. A genuine PHQ card will always have the Post Office logo, the PHQ number, and the designer's name. The "Sport (Rugby Union)" card is part of a four-card set; the others in the 1980 series featured Horse Racing, Cricket, and Athletics.


The Legacy of the 13½p Stamp

In 1980, 13 1/2p was the second-class postage rate. It’s fascinating to think that this artwork was originally intended to be shrunk down to a tiny rectangle of paper, licked, and stuck on an envelope. By reproducing it on a postcard, the Post Office allowed the public to appreciate Goldsmith’s brushwork on a much larger scale.

As I look at this card in my collection today, it represents more than just a piece of cardboard. It’s a tribute to the "amateur" spirit of 1980, a celebration of British graphic design, and a snapshot of a time when a Grand Slam win could unite a nation.


Collectors’ Corner: Value and Condition

If you are looking to add this specific card to your collection, here is what to look for:

  • Mint Condition: No rounded corners, no foxing (brown spots), and no writing on the back.

  • The "Gold" Silhouette: Ensure the gold foil of the Queen's silhouette is crisp and hasn't rubbed off.

  • The Set: The card is significantly more desirable if you have the full PHQ 47 set.