Showing posts with label Seaside Holiday. Show all posts
Showing posts with label Seaside Holiday. Show all posts

Wednesday, January 7, 2026

The Pink Dress and the Promise of Summer: A Postcard Mystery

 I found her tucked away in a dusty old box of postcards—a forgotten face from a century ago, brought back to life by the delicate tinting of a bygone era. She is a perfect piece of nostalgia, capturing the soft, romantic style that flourished just before the world changed forever.

A vintage studio portrait of a young woman with long, wavy brown hair reclining on the floor against a neutral, two-tone backdrop. She is wearing a light pink, knee-length dress with three-quarter sleeves and a bright pink sash tied at the waist. The dress features several small pink buttons along the front and hem. Her cheeks are tinted with a soft rose color, and she looks directly at the camera with a gentle expression. The overall image has a soft, hand-tinted quality typical of early 20th-century photography.
Women Reclining in a Vintage Pink Dress

The Whisper of 1912

Looking at her dress, the date becomes clear. We are seeing the twilight of the Edwardian era and the dawn of modern styles.

Her dress is not the tightly corseted, high-necked silhouette of the Victorian age. Instead, it’s a beautifully simple, flowing garment—a tea dress or perhaps an early form of a lounging robe. The high waist, cinched by a bold pink ribbon, and the simple column skirt reflect the influence of Orientalism and the new, freer styles championed by designers like Paul Poiret. The large buttons running down the front are a practical, stylish detail of the time.

She is the picture of a young woman embracing a new, more relaxed femininity.

A Seaside Soliloquy

The inscription on the original card, "relax-sea," hints at the context. This isn't a formal studio portrait, but a casual picture taken during a vacation or leisure time.

The Story She Tells Me:

Let's call her Evelyn.

Evelyn hated the fuss of her traveling clothes. All that heavy wool and stiff tailoring felt like a cage. When her mother insisted on a "proper photograph" during their seaside holiday—perhaps in Brighton or Bournemouth—Evelyn slipped away.

She found a quiet corner of the pavilion, where the photographer, a young man with a modern eye, was setting up for relaxed, artistic portraits. She wore her favourite pink dress—the soft, simple cotton drill that felt like air against her skin.

“A little less formal, if you please, miss,” the photographer murmured.

Evelyn threw herself down on the painted backdrop, kicking one leg out in a playful defiance that would have been unthinkable a generation earlier. She loosened the collar, letting her thick, loosely curled hair spill forward, and fixed the camera with a direct, wistful gaze. She was no longer a proper young lady; she was simply Evelyn, enjoying the moment.

The photographer knew he had captured something special—not just a face, but a feeling: the quiet confidence of a new decade, full of sunshine and possibility.

A Tint of Time

The final postcard, hand-coloured with the era's signature technique, added the final artistic touch. The faint pink on her cheeks and the shocking dash of magenta on her ribbon turn a simple photograph into a dreamlike vision.

Looking at Evelyn now, I feel a pang of connection to that bright, fleeting moment just before the shadow of 1914 fell across Europe. She captured her summer promise on a simple postcard, and a century later, it still speaks of effortless beauty and the precious simplicity of a sunny day by the sea.

Tuesday, December 16, 2025

A Swim a Day: Postcard from Larne, 1908

This early 20th-century postcard provides a beautiful hand-coloured view of the Northern Irish coast and an enchanting message detailing a simple, active holiday routine.

A horizontal, hand-colored vintage postcard showing a coastal landscape labeled "Island Magee" and "Co. Antrim." In the foreground, a rocky dark shoreline meets light blue water. A narrow paved path curves along the coast past a few brick and stone buildings. On a small peninsula to the left stands a tall, slender stone tower. In the background, green rolling hills stretch across the horizon under a pale blue sky with light clouds. Handwritten text at the bottom reads "Island Magee. Aug. 7th."
Island Magee, Larne, County Antrim 1908


The Image: Island Magee, County Antrim

The front of the card, labelled "Island Magee. Aug. 7" (likely indicating the date the image was captured, or perhaps the card's edition), presents a picturesque view of the coast near Larne, County Antrim:

  • The Scene: We see a wide expanse of the shoreline, with the water ebbing out to reveal a muddy foreshore dotted with seaweed. A prominent, tall, cylindrical structure (perhaps a former lighthouse or beacon) stands on the shore.

  • The Background: The background features rolling green hills and a scattering of coastal buildings. The overall tone, achieved through the hand-colouring process, gives the scene a slightly romantic, historic appearance.

  • Location: The area around Larne, including Islandmagee, is famous for its stunning coastal path and views toward the mouth of Larne Lough.

The Message: "Two bathings every day"

The postcard was sent to Mrs. Lowe at an address in Belfast.

The postmark is clearly dated 12:30 PM, AUG 8, 08 (August 8th, 1908), confirming the card's Edwardian vintage and the use of the King Edward VII one-penny stamp.

The sender, signing off as "K. O. S," gives a wonderful, detailed account of their seaside activities:

"Having such a nice time! Two bathings every day. The papers here are very poor. Love from K. O. S."

Key Takeaways from the Message:

  • "Two bathings every day": This is a fantastic detail! "Bathing" refers to swimming, and the mention of two dips a day highlights how central sea-swimming was to seaside holidays at the time. It speaks to a very invigorating and active holiday!

  • "The papers here are very poor": A wonderfully human detail. Even in 1908, people were concerned about the quality of their news updates while away!

  • The Date: The 1908 date places this card firmly in the early part of the postcard boom, when sending daily updates was a popular and stylish means of communication.

This postcard is a cherished piece, perfectly documenting a summer holiday in Ulster over a century ago.

Saturday, December 13, 2025

By the Sea at Cleethorpes: The Bustle of "The Slip" in the Edwardian Era

Today, I’m sharing a lively piece of British seaside history: a hand-coloured postcard showing "The Slip, Promenade, Cleethorpes." This image, busy with holidaymakers, horse-drawn carriages, and vendors, offers a perfect snapshot of a busy day at this popular Lincolnshire resort over a century ago.


A horizontal, hand-colored vintage postcard showing a crowded beach and promenade. In the foreground, several horse-drawn carriages with large red wheels are parked on a paved ramp. A long concrete sea wall separates the upper promenade, which features historic buildings and a clock tower, from the sandy beach below. The beach is filled with people, small white tents, and more horse-drawn carts. Red cursive text in the top left corner reads: "The Slip, Promenade, Cleethorpes."
The Slip, Promenade, Cleethorpes

The Front: A Day at the Seaside, 1905

This postcard, identifiable by the clothing styles and the architecture, likely dates from the Edwardian period (c. 1901–1910). The scene is bursting with activity:

  • Horse-Drawn Transport: Dominating the foreground and the beach are numerous horse-drawn vehicles. These range from heavy commercial carts to light carriages used by visitors to tour the promenade or travel along the firm sand.

  • The Crowd: The promenade is packed with people dressed in long skirts, high collars, and large, elaborate hats—the height of fashion for a day out.

  • Key Landmarks: Visible landmarks include the clock tower and the various buildings of the promenade, including the glass-domed structures that sheltered entertainers and vendors. Further out, you can just spot the framework of the pier and the high structure of the water tower or pier attraction.

  • Hand-Colouring: The postcard has been beautifully hand-coloured, giving the sky a soft blue, and adding touches of red to the carriages and the brickwork, making the image pop.

The Message: A Quick Update from Holiday

The message on the reverse, postmarked Cleethorpes on a sunny August 5th, 1905, is a typical Edwardian holiday communication: short, sweet, and focused on the essentials.

Addressed to Mrs. Meader in Hastings, St. Leonards, the message reads:

"Dear Vi, Glad you arrived safe, hope you will enjoy your holiday, & you are having nice weather. I came home last night. enjoyed myself fine. Remember me to Will. biss"

  • A Familiar Voice: The writer is clearly a friend or relative who has recently been on holiday, possibly at Cleethorpes or nearby, and is now writing after having returned home ("I came home last night").

  • The Sea Air: The focus on the weather ("hope you will enjoy your holiday, & you are having nice weather") confirms the critical role of sunshine in a successful seaside holiday!

  • The Kiss: The closing "biss" (an old-fashioned phonetic spelling of "kiss") is a charmingly affectionate sign-off.

This postcard perfectly encapsulates the dual nature of the seaside holiday: the bustling, public spectacle of the resort captured on the front, and the intimate, private message of friendship and travel logistics on the back.

A Taste of the Sixties Seaside: Postcard from Brixham

There’s something incredibly evocative about a vintage postcard from a British seaside town. They transport you back to an era of classic summer holidays, good entertainment, and simple pleasures. This latest addition to the collection, featuring Brixham, Devon, is a perfect example.


A vintage-style landscape photograph taken from an elevated position looking down over a coastal town and harbor. In the foreground, a gnarled, dark tree trunk stands on the left, and a slate-grey tiled roof is visible in the lower right. The town features a dense cluster of multi-story buildings built into a hillside that slopes down to a busy harbor filled with various boats and fishing vessels. In the background, the calm blue waters of Torbay stretch toward a distant coastline under a blue sky with light, wispy clouds.
Brixham showing Torbay

The Image: Brixham, Showing Torbay

The front of the postcard (V.8148, Colour Photo by John T. Pullen) offers a beautiful panoramic view of the bustling fishing port of Brixham, part of the scenic English Riviera in Devon.

  • The view looks out over the harbour and the sparkling blue waters of Torbay.

  • The hillside is covered in the closely packed, colourful houses and buildings typical of a busy coastal town.

  • In the foreground, a gnarled tree trunk and rocky outcrop frame the view, adding a rustic, natural element to the scene.

  • The harbour itself is dotted with fishing boats and leisure craft, highlighting Brixham’s dual role as a working port and a holiday destination.

The stamp shows the Queen Elizabeth II Machin design, and the postmark includes the phrase "DEVON'S GOLDEN PLYMOUTH."


The Message: "Plenty of good food & entertainment"

The handwritten message, dated 10 Sept '69, paints a clear picture of a pleasant late-summer holiday. The sender, Constance, is writing to Grace & Jim in Luton, Bedfordshire.

"Dear Grace + Jim. Having a nice holiday here at Brixham camp. Plenty of good food & entertainment. Nice walks around camp. Love, Alice. Best" (Note: The signature appears to be "Alice" with "Constance" written at the top centre, possibly indicating the sender is Alice, and the card is addressed from the camp at Constance.)

Key Takeaways from the Message:

  • Date: The stamp is clearly dated 4 SEP 1969, meaning the card was posted just as the summer season was winding down.

  • Location: The sender is staying at a "Brixham camp," suggesting a caravan park or holiday camp, which were hugely popular holiday options in the 1960s.

  • The Vibe: The simple endorsement of "good food & entertainment" and "Nice walks" perfectly encapsulates the uncomplicated joys of a mid-century British seaside break.


A Moment in Time

This postcard connects a stunning view of Devon with a personal memory from 1969. It’s a wonderful peek into a time when a simple card sent home was the main way to share holiday experiences—long before photos and updates could be instantly shared. It makes you wonder what specific entertainment Alice enjoyed at the Brixham camp!