Showing posts with label North Devon. Show all posts
Showing posts with label North Devon. Show all posts

Friday, January 9, 2026

A Glimpse into Georgeham: A 2004 Postcard with a 1970s Soul

 The beauty of collecting vintage and secondhand postcards lies in the layers of history they occupy. Sometimes, a single piece of card acts as a bridge between three different eras: the time the photograph was taken, the moment the message was scribbled, and the present day where we rediscover it.

This addition to my collection—a charming scene of Old Cottages in Georgeham, North Devon—is a perfect example of this "temporal nesting." Purchased during my years of scouring antique fairs and paper ephemera markets, it tells a story of builders, long-delayed apologies, and the enduring appeal of the English thatched cottage.


A vibrant color postcard of traditional white-walled cottages with thick thatched roofs in Georgeham, Devon. The cottages are arranged around a green garden enclosed by a low stone wall. A dark blue vintage car is parked in the foreground, and a light blue car with red surfboards strapped to its roof is parked further back on the left. The scene is set under a bright blue sky with lush green trees rising behind the houses. A wooden gate stands at the entrance to a path leading along the side of the stone wall.
Old Cottages, Georgeham, Devon

The Scene: A Technicolor Devon Dream

At first glance, the front of the postcard transports us back to the late 1960s or early 1970s. The vibrant, slightly saturated colours are typical of the printing style of that era.

The image features a picturesque row of white-washed, thatched cottages in the village of Georgeham, nestled in the North Devon countryside near the surfing beaches of Croyde and Putsborough. Two classic cars dominate the foreground, acting as perfect date stamps for the photography:

  • A light blue Austin/Morris Mini with what looks like surfboards or kayaks strapped to the roof—a nod to Georgeham’s proximity to the coast.

  • A dark purple Vauxhall Viva HC Estate (registration FYG 328J, which dates to 1970/71), parked proudly in the lane.

The cottages themselves represent the quintessential Devon aesthetic. With their thick cob walls, "eyebrow" windows tucked under the thatch, and manicured gardens behind stone walls, they look like a film set for a rural drama.


The Message: "It Found Its Way Back Here!"

While the image is a window into the 70s, the reverse of the card brings us to June 26, 2004. Written from Ashford, the message is a delightful piece of social history. The sender, writing to "Ellen & Peter," offers a classic excuse for a late reply:

"We do apologize for lack of communication. Took this card to Devon, got busy with builders, & it found its way back here!"

There is something incredibly relatable about carrying a postcard around on holiday, intending to send it, only to find it at the bottom of a suitcase weeks after returning home.

Mapping the Home

What makes this specific card a gem for any collector is the annotated detail. The sender uses the postcard as a literal map to show their friends where they live (or perhaps where they were staying/renovating).

The handwriting identifies their specific portion of the terrace:

  • The Windows: From the right, upper windows 5, 6, 7, and 8 are identified as theirs.

  • The Entrance: The front door is noted as the "3rd porch over that blank wall."

  • The Architecture: They even drew a small "house" icon to show a section that "disappears behind yet another cottage."

The sender also notes with some surprise that this specific postcard design was "still available at local P.O. [Post Office] after 28 years!" This confirms the collector’s suspicion—the photo was likely taken in the mid-70s, but the card was still being sold off a rotating rack in a village shop three decades later.


Why This Card Matters to My Collection

I have purchased many postcards over the years, but I am always drawn to those where the sender interacts with the image. When someone circles a window or points to a garden gate, the card ceases to be a mass-produced souvenir and becomes a personal document.

It captures a moment in 2004 when a couple was navigating the stresses of "builders" and planning a visit for "Tues 28th until Tues 5th October." It’s a reminder that these chocolate-box cottages aren't just museum pieces; they are homes where people deal with renovations, missed mail, and the scheduling of reunions.


Georgeham: Then and Now

Georgeham remains one of North Devon’s most sought-after villages. Famous for its links to Henry Williamson (author of Tarka the Otter), it has retained its character despite the passage of time.

If you were to stand in this same spot today, you would find that while the cars have changed to modern SUVs and the thatch has likely been replaced several times, the "Old Cottages" remain virtually identical to the image on this card. That is the magic of Devon’s conservation—a continuity that makes a 1970s photograph of a 2004 residence feel relevant in the 2020s.

Tips for Postcard Collectors

If you’re looking to start your own collection of local history, keep an eye out for:

  1. Street Scenes with Cars: These are the easiest way to date the photography regardless of when the card was posted.

  2. Annotated Backs: Cards where the sender marks "our room" or "we sat here" add a layer of human narrative.

  3. Local Post Office Editions: These often have smaller print runs than the big national publishers and capture more "niche" village corners.

Tuesday, December 30, 2025

A Time-Capsule from the Doone Valley: A 1937 Visit to Lorna Doone Farm

Every postcard in a collection serves as a quiet witness to a specific moment in time, but some possess a unique ability to blend literary legend with personal history. This week, I am highlighting a beautiful sepia-toned postcard from my collection that takes us to the heart of Exmoor: Lorna Doone Farm in the Doone Valley, North Devon.

A sepia-toned vintage postcard featuring Lorna Doone Farm in North Devon. In the foreground, a low, arched stone bridge with two spans crosses a narrow, calm river. On the far bank, a cluster of white-walled farm buildings with thatched and tiled roofs stands at the foot of a large, rolling hill. A small horse-drawn carriage is parked near the buildings, and a tall, leafy tree frames the right side of the scene. The text "LORNA DOONE FARM, DOONE VALLEY, NORTH DEVON" is printed in black across the bottom.
Lorna Doone Farm, Devon

The Scene: Literary Landscapes in Sepia

The front of the card features an evocative, high-contrast sepia photograph. In the foreground, a rugged stone packhorse bridge with two distinct arches spans a calm stretch of water. Beyond the bridge sits a cluster of traditional white-walled buildings, including the farm itself, nestled against the rolling, wooded hills of North Devon.

This isn't just any farm; it is a site deeply intertwined with R.D. Blackmore’s 1869 masterpiece, Lorna Doone. For fans of the novel, this landscape represents the wild, romantic setting of the outlaw Doone clan. The presence of a horse-drawn carriage or "charabanc" outside the buildings suggests that by the 1930s, this area had become a firmly established pilgrimage site for literary tourists seeking a tangible connection to the story.

The Message: A "Grand Time" in Devon

While the front captures the timeless beauty of Exmoor, the reverse provides a vivid snapshot of life on August 3, 1937. Sent from the Dilkhusa Grand Hotel in Ilfracombe, the card was addressed to a Miss Warfold living at "Corrie" on West Hill Avenue in Epsom, Surrey.

The sender, "May," writes with the kind of infectious enthusiasm that only a seaside holiday can inspire:

"We are having a grand time in this lovely part of the world. The weather has been very kind to us - hot & sunny."

May goes on to describe the modern luxury of her trip:

"Have had some fine motor drives to Lynmouth, Minehead, Clovelly & over Exmoor."

It is fascinating to contrast the "fine motor drives" May enjoyed with the rugged packhorse bridge on the front of the card. While the landscape retained its ancient charm, the 1930s had brought a new era of mobility. Tourists were no longer limited to the local vicinity of their hotels; they could traverse the challenging terrain of Exmoor with ease, visiting multiple villages in a single day.

Postal History: The 1937 Stamp and Postmark

The card features a crisp, circular postmark from Ilfracombe, Devon, dated 4:45 PM. Affixed to the corner is a bright red One Penny (1d) stamp featuring the profile of King George VI.

This is a significant detail for philatelists and historians alike. George VI had only ascended the throne in December 1936 following the abdication of his brother. By August 1937, his image was becoming a standard fixture on the nation's mail, symbolizing a return to stability during a decade of immense political and social change.

The card was a "British Production" by Photochrom Co. Ltd. of Royal Tunbridge Wells, part of their "All British" series. This highlights the domestic pride in manufacturing and tourism that was prevalent during the inter-war period.

Preserving the Connection

What makes this postcard so special is the layers of history it holds. It connects the fictional 17th-century world of the Doones with the real-life 19th-century bridge and the 20th-century holiday experience of May and Miss Warfold. Looking at this card today, we are the fourth layer, looking back at a "hot and sunny" Tuesday in 1937 when a simple motor drive through the valley was the height of summer adventure.